摘要
北宋文人延续了花间词人“诗庄词媚”的词学观念 ,以婉约为正宗的主流创作思想在词学批评领域的集中反映便是诗词分体意识的逐步加强 ,和对传统词风的维护与坚守。虽然一代文豪苏轼力主词之诗化 ,开创豪放向上一派 。
The men of letters in Northern Song Dynasty inherited the Romance Ci Poets' concept of Ci poetry which advocated that general style of poetry should be serious and solemn while Ci poetry should be of charming and graceful style. The main stream of poetry idea, which regarded the gentle and restrained style as it's orthodox, gave main expression in the increasingly tendency of stylistic separation in poetry and Ci poetry as well as preservation and preservation of traditional style of Ci poetry. Su Shi, the master of poetry at that time insisted on poemization of Ci poetry and accordingly established a school heroic abandon with powerful and free style poems, but failed to win the theoretical recognition at that time.
出处
《南平师专学报》
2004年第3期42-44,共3页
Journal of Nanping Teachers College
关键词
分体
诗词
北宋
创作思想
Northern Song Dynasty Ci poetry criticism solemn poetry and graceful Ci poetry consciousness of stylistic separation in poetry and Ci poetry
