摘要
反理性是现代主义艺术的精神特点,后现代主义则是“消解包括现代主义在内的一切艺术形式、规范、技巧,消解个人风格,使艺术成为毫无定规的任意游戏”,本文试从布瓦洛推崇理性“是人生来就有的辨别是非好坏的能力”,“是普遍存在的人性中的主要组成部分”的“纯粹理性”出发,解读他“一切文章,永远只凭着理性获得价值和光芒”的艺术思想,寻找其与当代艺术理论型号的对应性,以及更为纵深的阐释空间。
Anti-rational faculty is the spiritual characteristic of modernism art, while post-modernism is “to eliminate every artistic form, standardization, skill, porsonal style, including modernism itself so as to make art become warton games without established rules”. Starting with “pure rational faculty which is the born ability to tell good from evil and which is the main part of universally existing humanity”, the author gets to the root of his artistic thinking that worth and radiance will be gained always by rational faculty and find the counterpart of contemparary artistic theory model equivalent to his, or rather, much more. expounding space.
出处
《内蒙古师范大学学报（哲学社会科学版）》
2005年第2期17-21,共5页
Journal of Inner Mongolia Normal University：Philosophy and Social Sciences Edition
基金
2002-2005年内蒙古自治区高等学校科学研究项目"艺术原理"(NJ02015)成果之一。
关键词
理性
新古典主义
布瓦洛
后现代
rational faculty
new classicism
Boileau
post-modernism
