摘要
提要:通过对“意境”和“有意味的形式”两个艺术美学范畴的比较分析,阐释了中西艺术美学内在精神的合致与汇通,从而为中西艺术理论寻找到现代的对话平台,指出“意境”和“有意味的形式”的共同点在于强调“意”和“意味”的传达,反对形似。
A comparative study between “artistic conception” and “meaningful forms” shows that the internal spirit of the Western and Chinese artistic aesthetics converges at these two concepts. Such a convergence provides a platform of dialogue for the Western and Chinese artistic theories. The similarity between them lies in the fact that they both stress on the conveyance of meaning and rejects formal similarity.
出处
《江苏海洋大学学报（人文社会科学版）》
2005年第1期40-43,共4页
Journal of Jiangsu Ocean University（Humanities & Social Sciences Edition）
