摘要
唐传奇冲决史传传统的束缚,完成中国古典小说文体独立的历程(无其名而有其实),可以见出它对正统文化某种程度之背离。这种背离,不仅体现在它的“作意好奇”、“尽设幻语”方面,而且在于它的描写题材及人物的新变、文学创作方法的自觉实践和文化功能的转换上。由此而在实际上修补了正统文化禁锢、压抑人性,限制文学独立发展的缺陷。
From the fact that the legend of Tang Dynasty smashes the fetter of tradition, and finishes the process of independence of Chinese classic fiction(which is in reality but not in name),we can see it deviates from the orthodoxy culture to some extent. The deviation lies not only in 'the peculiar artistic conception' and 'the illusory words', but also in the new change in escribing subjects and characters, the conscious practice in the means of literature creation, and the shift of cultural function. so in reality, it revises the defects of the orthodoxy culture that confine humanity and restrict the development of literature.
出处
《阜阳师范学院学报（社会科学版）》
2005年第2期40-43,共4页
Journal of Fuyang Normal University：Social Science Edition
关键词
唐传奇
正统文化
背离
修补
Legend of Tandg dynasty orthodoxy culture deviation revision
