摘要
自从亚里士多德的《诗学》问世后,诗学就成为文艺理论、美学的代名词,即以科学的观点与方法研究文艺、美学问题。梳理《史记》中司马迁有关诗、赋的片言只语的论述,参照《史记》的实际创作,可以从以下几个方面来理解司马迁的主要诗学观点:其一,本质论:"诗以达意";其二,创作论:"发愤"说;其三,价值论与鉴赏论:宗经。
Since the publishiping of Aristotle's 'PERI POIETIKES',the concept of 'poetic study'in the Tang Dynasty had been a synonym for literary and artistic theory or aesthetics which means scientifically studying literature,art and aesthetics.SI Ma-qian's argumentation on poetry and poetic prose in 'Records of the Historian' indicate SI Ma-qian's ideas on literary and artistic creation:the essence of literature and art is conveying ideas;the purpose of literary and artistic creation is expressing worries and indignance and literary and artistic works should be evaluated and appreciated in the light of Confucianism.
出处
《唐都学刊》
2005年第2期119-123,共5页
Tangdu Journal
