摘要
对女性性别魅力的极力张扬是当今中国大陆女性小说的一大特征,它分为故事型小说的外视角“客观结撰”与自叙型小说的内视角“自我剖白”两种表现形态。然而这种在性别魅力彰显的基础上建立起来的女性“主体”地位在遭遇消费性文学接受潮流时,则陷入了无以摆脱的悖论之境。
It is the main character of nowadays mainland female novels to manifest greatly the female charm.This manifestation has two ways: objective construction from the outside view and self-dissection from the inner view. But the dominant subjectivity of women, which is based on the manifestation of female charm, results in a paradox,when meeting the tide of literature in the consumption times.
