摘要
作为中国画常见题材,明清仕女画的程式化特征中蕴含了丰富的文化内涵:一方面,明清浮华的世俗文化为其提供了极其丰厚的养料;另一方面,明清仕女画体现的是男性的标准,是男人的女性艺术。
The text probes into the main characterstic of the Ming and Qing dynastyj-s noblewoman painting which contains plenty of culture connotation. On the one hand ,the social culturle fertilizes the noblewoman painting; on the other hand, we will find that its essential intension was actually the man's arts of female. It was man's standard and the requests of the common customs that embodied.
出处
《南京艺术学院学报(美术与设计)》
北大核心
2005年第2期83-85,91,共4页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
明清仕女画
世俗文化
女性艺术
Noblewoman painting of the Ming and Qing dynasty
Social culture
the man's arts of female