摘要
《沉沦》、《田园的忧郁》分别是中国、日本两国近现代文学史上的小说名著。两部小说整体上具有忧郁、孤独、颓废、感伤的世纪末情调 ;均具有强烈的主观抒情特色 ;均受西方世纪末思潮和各自民族传统文化思想的影响 ;均具有“自叙传”色彩和相同的结构形式特点。但是 ,由于两位作家所处的社会现实、民族文化传统的差异以及创作观念的不同 ,造成两部作品反映的思想内容和主题的根本不同。《田园的忧郁》凸现的是日本隐逸文人的孤独寂寞感、人生无常感和虚无感 ;《沉沦》表达的是当时中国知识青年的个性解放得不到实现而生出的苦闷情绪和爱国的反抗的意蕴。
Sink into Depravity and The Idyllic Melancholy are the classical novels in China and Japan separately.The two novels both have fin-de-siecle melody of melancholy,decadence,solitary and sentiment on the whole and share the same feature of a strong subjectve lyric.West fin-de-siede trend and their own native traditional cultural thoughts are affected on the two novels.Judged from some kind of aspect,they both are autobiography, and have the same structure.But because of the different social actuality and native cultural tradition of there authors and based on different concepts of literary creation,these two novels have totally different contents and themes. The Idyllic Melancholy emphasized the solitary of Japanese recluse literartor and the nihility of life.But Sink into Depravity expressed at that time ,the Chinese youth seeked the freedom of individual character and cannot come true,and they suffered from the depression and struggle for patriotism.
出处
《内蒙古民族大学学报（社会科学版）》
2002年第2期43-47,共5页
Journal of Inner Mongolia Minzu University：Social Sciences
关键词
《沉沦》
《田园的忧郁》
世纪末情调
Sink into Depravity,The Idyllic melancholy, fin-de-siecle melody
