摘要
19世纪浪漫主义音乐在文化交融过程中受唯美主义艺术的影响,在形式上片面强调旋律、色彩以及舞台效果,刻意追求纯技巧;在内容上严重脱离现实,具有一定的颓废性,因此浪漫主义音乐具备唯美主义的基本特征。浪漫主义音乐的唯美倾向在印象派音乐中得到了发展,其对形式技巧的追求,丰富了音乐的表现手段,但是,倘若过分追求技巧和感官愉悦,容易走上极端形式主义道路,并将最终沦为颓废主义。浪漫主义音乐从不同的侧面滋养了人类的精神,对我国音乐也产生了一定的影响,许多音乐家开始探寻音乐和人类的主体精神,并从哲学的高度揭示音乐艺术的某些特质,从而希翼用音乐来改变人们的精神面貌。
Influenced by the aestheticism arts in the blending of cultures, the 19th-century romantic music stresses on melody, color, stage effects and pure techniques in form. Moreover, its content is completely separated from reality, so it has a certain degree of decadence. Therefore, it shares some of the features of aestheticism. The romantic music is further developed in the impressionist music, whose pursuit of formal techniques enriches the expressional ways of music. However, excessive emphasis on the pursuit of techniques and sensual pleasure is easy to lead it onto the extremist's road and turn it into the music of decadence. The Romantic music provides nutrition for the spirit of human beings from different aspects, exerting great influence upon the development of China's music. As a result, many musicians set out to pursue the subjective spirit of music and human beings, attempting to reveal the special qualities of music in terms of philosophy and improve people's mental state by means of music.
出处
《淮海工学院学报（人文社会科学版）》
2003年第3期75-78,共4页
Journal of Huaihai Institute of Technology(Humanities & Social Sciences Edition)
