摘要
由我国各民族打击乐汇聚而成的中国打击乐艺术,历经数千年的沿革发展,现已成为享誉世界乐坛的一个独立的乐种。它由融合于音乐共性思维——旋律,到追求个性语言——节律,并逐步形成了自己新的话语体系——音色(一种以绚丽多姿的音色为主体的音乐机制)。其非等分的节拍时值和非机械律动的音乐运动方式,和追求色彩声韵的审美情趣,与我国的语言、诗歌、戏曲一脉相承。中国打击乐艺术正以崭新的姿态跨入21世纪。
Combining all kinds of percussion instrumental music of nationalities of China,and dereloping tradi- tionally,for thousands of years,Chinese percussion has become an independent instrumental music honoured by the whole world in the music circles. From melody dissolved in the general thought of music to rhythm temperament pursuing individual words,it has gradually been formed a new words system of its own——tone colour,which consists of bright and coloufful tones. The music moving laws of percussion without average metre and mechanical rhythm trace to a colourful phonology that has been coming down in one continuous line with our language,poems and traditonal operas.Appearing as an entirely new posturo,Chinese percussion art has stridden proudly ahead into the 21 century.
出处
《贵州大学学报（艺术版）》
2001年第2期13-19,共7页
Journal of Guizhou University Art Edition
关键词
打击乐艺术
旋律
节律
音色
话语体系
percussion art
melody
rhythm temperament
tone colour
words system
