摘要
"狼"作为原始文化的图腾,在艺术起源和神话传说中占据重要地位,它还是人们了解艺术发展史的重要途径.在西方,"狼"的意义虽然经历了复杂的流变--从上帝到世界英雄再到狄俄尼索斯,但它作为"英雄原型"对文学并没有产生直接影响.笔者认为,Odiesis可能起源于勒莫和罗莫落的传说,狼最终被驱逐出西方文化中心舞台是由于西方文明的发展和神话传说的改写所致.
Wolf'is an important role in the story of art as a totem of the aboriginal culture as well as in myths and legends, which is a also good way for people to understand the art history. But wolf as a hero-archetype does not influence literature directly except that it transforms from Creator and hero of the world to Dionysus. It was a very complicated transformation in the western history, while the paper suggests that the Odiesis may have come from the legend of Remus and Romulus, and that the new idea of civilization of the West has changed and rewritten the myths and legends, so Wolf had been completely banished and become 'a lost link in the chain'.
出处
《中国比较文学》
CSSCI
2002年第4期85-103,共19页
Comparative Literature in China
