摘要
九十年代初,以《在细雨中呼喊》为开端标志,中经《活着》,再到《许三观卖血记》,余华小说创作立场从此前的先锋漫游终于走向民间回归。作为体现真正民间回归精神之作的《许三观卖血记》,其回归的彻底性体现在民间叙事话语、民间记忆中的历史形态以及民间平等观三个方面。
Since the beginning of the 1990s,the producing standpoint of YU Hua has ch anged from pioneer wandering to folk returning,marked by Yelling Under Rain,Alive and the Blood -Selling Sto ry of XU San -guan.The Blood -Sell-ing Story of XU San -guan embodies the real spirit of folk returning,and it s completeness of returning has thre e evi-dent characters:folk words,history of folk memory,folk equality view.
出处
《安徽农业大学学报（社会科学版）》
2002年第1期110-112,共3页
Journal of Anhui Agricultural University:SOC.SCI.
