摘要
中国古典词论中对于苏东坡词的评价，是我国古代文学理论审美观照发展历程的一束折影。两宋时期，由持论各异到褒扬之声占主流地位；南宋末暨金源，显露出词派论评端倪，有“豪徽，并驾“婉约”曲体，拓宽词作发展创造空间的理论见解，昭示苏词“以诗为词”的创造意义；发展到明清，在偏重词派论评的基础上，步入“正”、“变”论辩，与诗骚传统的内在沟通，揭示出东坡词儒化的现实意义。东坡论绵延数百年，日趋切要，既是苏词本身的意义决定，更反映出文学审美观念历史形成的漫长曲折，以及我们民族富有理论思维的审美创造力。
In Argumentations on Chinese Classical Ci Poetry,the Argumentations on the Ci Poetry by Su Dongpo reflect the corresponding developing process of the aesthetic standards in ancient Chinese literature theories. During the 'Northern Song 'and 'Southern Song 'Dynasty, praises of the Ci poetry overwhelmed different argumentations. Then to the end of the 'southern Song', and especially in the year called 'Jing Yuan',the argumentations on schools of the Ci Poetry creation began, and mentioned the schools of the 'bold and unconstrained 'style and the 'graceful and restrained' style, thus widened the theoretical views of the Ci Poetry creation,therefore eventually revealed the important meanings of Su's Ci Poetry creating Ci poetically.During 'Ming'Dynasty and 'Qing'Dynasty,association with the internal poetic traditions, the schools orienting argumentations on the Ci Poetry converted to discuss the 'Standards' and 'Varieties' of the Ci Poetry,and subsequently pointing out the practical meanings of 'Confucianization' in the Ci Poetry by Su Dongpo. Argumentations like lasted several hundred of years,and came nearer to the point as time went on ,which is determined by the important meanings of Su's works.The whole process has shown the uneven developing history of the aesthetic standards of literature and the powerful aesthetic creation abilities of our nation.
出处
《重庆三峡学院学报》
2001年第3期22-26,共5页
Journal of Chongqing Three Gorges University
关键词
东坡词
古典词论
以诗为词
正变
the Ci Poetry by Su Dong Po, argumentations on classical Chinese Ci Poetry, creating Ci poetically, standards and varieties of the Ci Poetry
