摘要
大江健三郎的小说将个人的生命体验加以提炼和升华,通过对历史存在的思考和边缘困境中的抉择,结合荒诞奇情和梦幻想象的表现手法,生动展现了处于精神危机中的战后日本人的文化矛盾和灵魂冲突。大江健三郎的叙述美学包括三个层面:一是个人体验孕育的身体叙事,二是边缘存在中的艰难抉择,三是面向拯救的灵魂探索。大江小说在取用故土经验和反思民族历史、回归传统和大胆创新方面,对当代中国文学创作具有宝贵的借鉴作用。
Ooe Kenzaburo's novels are characterized by his practice of refining and distilling his individual experiences. He often ponders deeply over historical existence and choice in the marginal plight and vividly reflects, through combining fantastic plots and dreamlike imagination, the cultural contradictions and spiritual conflicts of Post-War Japanese in the spiritual crisis. The narrative aesthetics of Ooe Kenzaburo are demonstrated in three phases: First, body narrative derived from individual experiences; second, arduous choice in marginal existence; third, soul exploration to Salvation. Ooe Kenzaburo's novels have provided precious references for Chinese modern literary production in the aspects of using native experiences, meditating upon national history, returning to tradition and making bold innovations.
出处
《延边大学学报（社会科学版）》
2005年第1期104-108,共5页
Journal of Yanbian University：Social Science Edition
关键词
大江健三郎
身体叙事
边缘存在
荒诞
危机
灵魂拯救
individual experiences
body narrative
marginal existence
fantastic
crisis
soul salvation
