摘要
秦观在北宋词坛开始趋于分化的条件下,弃北宋初期小令的理性观照,复五代艳词的感性抒发,重现和发展了五代词绮怨的风貌,虽有发展创新,终未脱却《花间》窠臼。他吸收了温飞卿的细腻与含蓄,然不似温的禾农艳,接受了韦庄的清丽,却较之更为深曲和委婉,使词境改变了从前那种尚嫌单薄、浅直的面目,转而变得更加含蓄隽永、意味深长,保留了《花间》词的神韵风调,取《花间》之神并有所变化。
Facing the change of ci poetry style Qin Guan gave up the rational facauly and rebound the gorgeous style of ci poem. He absorbed the exquisition of Wen Ting-yun but abadoned his gaudiness; accpeted the flesh of Wei Zhuang but became more profound . So his works made the mood more pregnant and retained the romantic charm and special flavour.
出处
《赣南师范学院学报》
2005年第1期54-56,共3页
Journal of Gannan Teachers' College(Social Science(2))
关键词
《花间》
秦观
语言
题材
词境
Hua Jian
Qin Guan
language
subject
mood
