摘要
这是一篇钢琴演奏艺术史的专题研究。论述了“触键”这一重要的钢琴演奏技术其历史发展的过程。文章从乐器性能的改进及音乐风格的变迁这两个角度,分析了古钢琴、维也纳钢琴、英国钢琴对触键法的不同要求,以及18世纪末到20世纪上半叶,音乐史上几个主要流派中最具代表性的作曲家兼钢琴家在触键技术上的不同特点。
The article is a special research for piano performance art history, and it discussed the touching, an important piano playing technique, as well as its historical evolutive process. From the two angles of improving instrument enginery and changing music style, the papers analyzed the different touching method for Cembalo, Vienna piano and Britain one. The writer also discussed several representative composers and pianists of the main schools in music history from the end of 18th century to the first half of the 20th as well as their individual touching techniques.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2005年第1期118-125,共8页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
钢琴
触键
乐器性能
音乐风格
piano, touching, instrument enginery, music style
