摘要
夏目漱石的早期三部曲,始终贯穿着一个主题:三角关系。《三四郎》中那个无名无姓的女子,成为《从此之后》中的三千代、《门》中的阿米。作家内心深处的情感不经意间通过文学表达出来,这不是偶然的。从未享受过母爱、缺乏恋爱的体验、没有幸福婚姻的夏目漱石,在其冷峻的外表下,有着一颗对人世间的亲情、温情、爱情无比渴望的心。
The theme of triangle relation is present throughout Natsume Soseki's early trilogy. The anonymous woman in Sanshiro later became Michiyo in And Then and Ome in The Gate. It is only too natural that the writer's emotion is manifested unconsciously through his works. Though Natsume Soseki never enjoyed maternal love, lacked the experience of romance and had no happiness in his marriage, he desired kindred affection, romantic love and warmth of the world deep down, under his grave and stern appearance.
出处
《解放军外国语学院学报》
北大核心
2005年第1期98-101,共4页
Journal of PLA University of Foreign Languages
基金
山东省社会科学基金重点项目(04BYZ08)
关键词
夏目漱石
情感世界
三部曲
三角关系
Natsume Soseki
emotion world
trilogy
triangle relation
