摘要
倪瓒一生虽无关于画学的理论专著问世,但偶见于其诗文、画跋中那只言片语"逸"的言说,加之萧疏简淡、独创性灵的"高逸"画风,却在中国绘画史上确立了前无古人、后无来者的艺术风范。文章梳理倪瓒绘画中"逸气""逸笔""逸格"之间的关系脉络,蠡测其"逸"诸因素之间的内蕴关联。
NI Zan doesn' t write any theoretical works in painting science, but he sets an art bearing without parallel in history and in future in chinese painting history through a few of his words and phrases about 'carefree' and his desdate, unique 'high carefree' painting style. This thesis is to comb the relationship between 'carefree energy of life', 'carefree pen' and 'carefree style' in NI Zan's paintings, and to have a limited view of the inner meaning connection among various factors of 'carefree'.
出处
《周口师范学院学报》
CAS
2004年第6期99-101,共3页
Journal of Zhoukou Normal University
关键词
倪瓒
逸笔
逸气
逸格
NI Zan
carefree pen
carefree energy of life
carefree style
