摘要
中国古典诗歌中 ,歌颂男女爱情的诗歌很多 ,而纯粹写夫妻爱情的婚姻诗却很少 ,且以悼亡诗为主。中国情诗从爱情走向婚姻 ,其风格也由大胆热烈变得深沉含蓄 ,是因为中国的家族制度在其全部文化中所处位置极其重要 ;受儒家文化的观念影响 ,被限定在“家”这个环境里 ;悼亡诗的感情之核心蕴含的也是中国文化的特殊内涵———家。
In Chinese classical poetry, many of them eulogize t he love between male and female, but marital poems which describe purely the lov e between husband and wife are very few, and these poems deal mainly with mourni ng. Influenced by concept of Confucius culture, Chinese family system is limited in the circumstances of“family”, the system is so important in whole cultural life that Chinese love poems move from love to marriage, its style changes also from strong passion to deep implication. The core of feelings in mourning poems is also limited in “family”, typical connotation of Chinese culture.
