摘要
长期以来,当代中国美学基本上在认识论哲学框架下运行和发展,但是,蒋孔阳先生晚年的美感论把美感置于主客关系之中加以探讨,已经开始突破和超越认识论的哲学基础,主要表现为:(1)认为美感已不再是对美的客观认识和"反映",提出了美与美感相互创造、互为因果的"循环"说。(2)从发生学角度在理论上阐明了美感与美在实践中如何同时生成、同步发展的,清晰地表现出他通过审美关系而非认识关系把握美感的历史生成的基本思路。(3)蒋先生的"美感论",基本未涉及认识论问题,他把重点放在心理学研究上,认为美感是一种审美体验的复杂心理过程,而不是认识过程。
Over a long period of time, contemporary Chinese aesthetics basically operates and develops with the epistemological philosophical framework, but Mr. JIANG Kongyang discussed the aesthetic perception in his late years by putting aesthetic perception into the subjectobject relationship, thus his theory began to break and surpass the philosophical basis of epistemology. This can be shown from the following points: (1) He no longer regarded the aesthetic perception to be the object recognition and 'reflection' of beauty, and raised the 'Circulation' theory of that mutual creation and mutual causality between beauty and aesthetic perception; (2) He expounded the way that beauty and aesthetic perception occur simultaneously and develop synchronistically in practice, and expressed clearly the basic thinking of mastering the historical creation of aesthetic perception through the relation of aesthetic appreciation rather than the relation of knowledge. Mr. JIANG's theory of aesthetic perception does not involve epistemological problems basically, rather, he concentrated on the psychological studies and regarded the aesthetic perception to be a complicated psychological process of aesthetic appreciating experience, rather than a process of cognition.
出处
《文史哲》
CSSCI
北大核心
2004年第6期22-26,共5页
Literature,History,and Philosophy
关键词
美学
蒋孔阳
认识论
Aesthetics
JIANG Kongyang
Epistemology
