摘要
本文试图通过“文革”前夕 ,毛泽东集中创作的数首诗词 ,从创作缘由去解读毛泽东彼时彼际的思想、情绪 ;从毛泽东诗词诗意化地表达情致、心态的角度 ,去欣赏其诗词大多作为“政治诗”的艺术特色。毛泽东在诗词方面一直较为注重浪漫主义色彩浓厚、个性高扬的“三李诗” ,而不太喜欢杜甫的诗作。但到了他的晚年 ,随着心境的转换 ,在诗的意趣上却又不自觉地趋向杜诗的赅博沉雄。这不能不看作毛泽东诗词艺术风格上的一大转变。
This paper attempts to analyse Mao Zedongs thought s and emotion o n the eve of Cultural Revolution by studying the motivation of his poetic creati on at that time and to appreciate the artistic characteristics of his poems as “ Political Poetry” through expounding his poetic expression of feelings and thou g hts. Mao Zedong had always preferred “Three Lis Poems” to Du Fus poems , for “Three Lis Poems” were full of romanticism and individuality. However, as h e a ged, and with the change of frame of mind, he inclined to Dus profoundity on p o etry interests. This can be regarded as a great transition of Mao Zedongs poet ry artistic style.
出处
《福建师范大学学报（哲学社会科学版）》
北大核心
2004年第6期79-83,共5页
Journal of Fujian Normal University:Philosophy and Social Sciences Edition
关键词
毛泽东
诗词
“文化大革命”
政治诗
艺术风格
Mao Zedong
poetry
Cultural Revolution
political po etry
poetry artistic style
