摘要
柳宗元的佛理诗可以分为两类:一类纯粹演说佛理,表示对佛理的深切体悟与自己的宗派倾向,且展示其时佛教发展大势;另一类,则是在言理中加进景物的描写,景与理相合相融,使作品具有文学的情味。柳宗元的佛理诗,又与他的贬谪经历紧密相连,贬永州时的作品,因回归朝廷的希望尚存,在言理之中,表现出一种理性的冷静与平和;继贬柳州,对回归朝廷彻底绝望之后,作品借佛理、佛教中事,来表现其内心凄怆哀怨之情,与其诗骚怨的主体风格相合。
Liu Zongyuan's poems of Buddhism theory could be divided into two parts: one is to preach Buddhism theories only, to express his profound comprehension on Buddhism theories and his sect tendency, and to show the trend of Buddhism development at that time. The other is to add scenery description to the words and theories, which combines the scenery with the theories, and makes the works full of literary feeling. Liu Zongyuan's poems of Buddhism theory are also linked with his related experiences. The works about his banishment in Yangzhou express a kind of rational calmness and mildness in the words with the hope to return to the court administration at that time. Afterwards, when he was banished to Liuzhou and found the impossibility to return to the court administration, his works expressed his miserable and sad feelings with the help of instances in Buddhism and Buddhism theories, which accorded with the main style for sadness in his poems.
出处
《贵州大学学报（社会科学版）》
2004年第6期71-76,共6页
Journal of Guizhou University(Social Sciences)
关键词
柳宗元
佛理诗
贬谪
Liu Zongyuan
poems of Buddhism theory
banish from the court
