摘要
本文从表现主义戏剧兴起于中西方的相通的时代语境起笔,集中笔墨从"我化"和"化我"两个层面,考察表现主义戏剧在精神气质和艺术风格上所呈现的扬与抑的悖反状态,既把握五四表现主义戏剧与西方之"同",又把握其与西方之"异",既体认它的价值和贡献,又品思它的欠缺与遗憾。
Basing on the background of intercommunication between the Sino-West dramas, this paper try to study the state of contradiction of expressionism drama on genius habitude and artistic style. This paper hold not only the sameness between the May 4th expressionism drama and that of the west but also the difference. At the same time, we could have cognizance of the worthiness and contribution of May 4th expressionism drama and think deeply about its deficiencies and pities.
出处
《辽宁大学学报（哲学社会科学版）》
2004年第6期28-31,共4页
Journal of Liaoning University(Philosophy and Social Sciences Edition)
关键词
表现主义
激情
悲情
expressionism drama
passion
sadness
