摘要
本文首次对广东瑶族民歌进行了较全面的梳理。运用民族学、历史文献学、语言学和民族音乐学知识 ,从族系渊源、文化习俗和语系语族直至语支等角度 ,对广东瑶族民歌的主要体裁风格和音乐特点逐一进行了阐述分析。其音乐形态分析力求不脱离文化场景的方法 ,是本文追求的一种音乐人类学风格。所得出的结论 :广东瑶族民歌 ,是典型的民俗、方言、音乐三位一体、密不可分的“口传音乐文化”
The article sorted out folk songs of Yao minority in Guangdong province comprehensively for the first time. Through using the knowledge of ethnogeny, historical philology, linguistics, and ethnomusicological, the writer expatiated the main style of Yao folk songs in Guangdong as well as its music characteristics one by one from aspects of pedigree source, cultural convention and phylum, even language branch. The writer chose the method to analyze the music configuration in the cultural background, which showed the article style of ethnomusicology. The writer's conclusion was the folk songs of Yao minority in Guangdong being a typical model of oral music culture that combined the folk-custom, dialect and music in inseparable triplicate.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2004年第4期54-59,共6页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
广东瑶族民歌
“藻敏”方言瑶歌
“优勉”土语瑶歌
folk songs of Yao minority in Guangdong province, zao min of dialect Yao folk songs, you mian of idiom Yao folk songs
