摘要
宗白华的节奏论是建立在生命哲学基础之上的理论,是随着宗先生对生命本体理解的演进而逐渐形成的。它有三个来源:一是西方柏格森的生命美学,二是中国传统的周易生命哲学,三是同时代诗人为建构新诗的形式规范而对节奏进行的研究。这种节奏有其独特的审美内涵,生命力、内在律动和韵律是其主要的构成要素。宗先生用节奏重新阐释古典美学的核心范畴“气韵生动”和意境理论,实现了古典美学的现代性转换。宗白华的节奏论有广泛的诗学背景,体现出他对中国文化美丽精神的追怀和对处于多元文化格局中的世界文化的一份独特贡献。
This essay has tried illustrating the rhythm theory of Zong Baihua's aesthetics from the conception of life.His theory has three origins:First,from west,Henri Bergson's life aesthetics and O.spengler's thought on the rhythm. Second, Chinese traditional 'ZhouYi' life philosophy. Third, the contemporaries' research on rhythm for building a new form rule of new poem, Zong's rhythm has his special aesthetic connotation:Vitality, initial rhythm and rhythm. Zong's rhythm theory has deep poetic background. In the pluralistic cultural structure, his theory also shows Chinese culture special contribution to the world.
出处
《北京教育学院学报》
2004年第3期37-42,共6页
Journal of Beijing Institute of Education
关键词
宗白华
美学思想
节奏论
Rhythm
Life noumenon
Vitality
Rhythm vitality
