摘要
音乐作品主要由和声、复调、曲式、配器等手段构成的,无论其内部构成怎样复杂,都应该注意运用平衡原则加以控制。构成平衡的各方面之间的相互关系是对立的,它们的数量是相等的。然而在某些音乐作品中,无法追求对立方面数量的绝对相等,人们更为注重追求的是心理的平衡。本文试从和声、复调、曲式、配器等不同角度,对音乐作品中的平衡问题进行论述。
Music works, mainly accomplished by harmony, polyphony, music form, adapter, and other mediums, should becommanded under the principle of balance no matter how complicated its inside components are. In spite of the antagonisticrelations among the aspects leading to balance, the aspects are equal in quantity. In some music works, however, people arepaying more attention to balance in psychology since absolute equality of the quantity of opposite aspects is impossible.From different viewpoints of harmony, polyphony, music form, adapter, this thesis focuses on the balance in music works.
出处
《南京艺术学院学报（音乐与表演版）》
2004年第4期61-66,73,共7页
Journal of Nanjing Arts Institute:Music & Performance
关键词
音乐作品
和声与调性
复调音乐
曲式
配器
平衡
music works
harmony and modes
polyphony
music form
adapter
balance
