摘要
刘天华主张将优秀的民族音乐完整保留下来并发扬光大,同时借鉴西方音乐改进发展民族音乐。他提倡平民音乐教育,积极开展大众音乐的普及教育工作。他通过对二胡的改革,使之登上了艺术的大雅之堂。
Liu Tian-hua maintained that national music should be retained in its excellence and carried forward by use of western musicfor reference. He also advocated an active music education and publicizing for common people. Liu practised a reform of the Chinese fiddle so as to promote its artistic value.
出处
《燕山大学学报（哲学社会科学版）》
2004年第3期75-79,83,共6页
Journal of Yanshan University:Philosophy and Social Science
关键词
新文化运动
音乐思想
音乐教育
a new Chinese cultural movement in China
musical idea
music education
