摘要
邓以蛰指出中国绘画理论具有“画史即画学”的特点和民族特色 ,他的书画美学研究也始终贯穿着这个主导思想。他认为 ,历史是人类精神生活的写照 ,艺术发展的历史也就是审美意识发展的历史。因此 ,他的书画美学思想 ,无论是范畴研究 ,还是理论结构的展开 ,都密切地结合艺术史的发展来论述 ,由此也构成了他自己美学思想的显著特色 ,在 2 0世纪中国美学研究领域里形成独特的研究方法 。
Deng Yizhe thinks that painting history is equal to painting study and it is also one of the characteristics of Chinese painting theory. He points out that artistic history shows the development of aesthetics since history is the portrayal of people’s spiritual life. His aesthetics in painting and calligraphy develops closely combined with aesthetic history both in category research and theoretical structure. Therefore, his thought becomes a unique method in Chinese aesthetics and provides a new pattern for researchers.
出处
《安徽师范大学学报（社会科学版）》
2004年第5期513-518,共6页
Journal of Anhui Normal University(Hum.&Soc.Sci.)
基金
安徽省教育厅人文社会科学基金项目 (2 0 0 0 jW )
关键词
邓以蛰
书画美学
画史即画学
体
形
生动
意境
气韵生动
Deng Yizhe
aesthetics in painting and calligraphy
painting history equal to painting study
craft ware
artistic image
vividness
artistic conception
rhythmical vitality
