摘要
在中国传统声乐理论众多著作中,清人徐大椿撰写的<乐府传声>,是一部被普遍认为具有代表性的声乐理论著作.该书不仅继承了魏良辅、沈宠绥等诸家声乐理论的精华,并且在对唱法的认识上,也比前人更为详密、深入.本文通过对<乐府传声>中有关理论的分析和研究,以便对传统的歌唱发声理论有一个较为深入的了解.概括地讲,<乐府传声>比较详尽地总结了口法、传声吐字、声韵、顿挫、曲情等方面的歌唱经验,并且将这些问题提到美学的高度加以论证,由此形成了中国传统声乐理论中具有一定针对性、同时又比较系统、完整的歌唱发声理论.
Among the books on Chinese traditional singing theories, 'Music of Ballads' written by Xu Dachun in the Qing Dynasty is an outstanding book. The book inherits the cream of singing theories by Wei Liangfu and Shen Chongsui, and makes a deep study on singing methods. The present paper analyzes the theory in 'Music of Ballads' and studies some traditional singing methods.
作者
李强
何小全
Li Qiang He Xiaoquan (Cai Yuanpei Arts College, Shaoxing University, Shaoxing, Zhejiang, 312000)
关键词
《乐府传声》
正字音
审口法
Music of Ballads
correct sound
lip-rounding
