摘要
蒲松龄的《聊斋志异》为世人塑造了仪态万方的女子形象,她们较之以前的女性形象表现出了难能可贵的进步性,其自我意识空前萌动;然而,在封建社会以男性为中心的生存秩序中,这些女性依然是以男性视角为活动轴心,依然背负着封建传统礼教的精神轭套,璀璨夺目的女性光环之下依然晃动着男权意识的精神锁链。《聊斋志异》中的婚姻爱情观,体现的仍是封建礼教下的男权意识。
Pu Songling creates various ladies in his 'Strange Tales of a Lonely Studio'.Compared to the former ones, these ladies are advanced and full of self-consciousness.However,in the male-centered feudal society,these ladies still shoulder the burden of feudalism.The view of marriage and love in 'Strange Tales of a Lonely Studio' still reflects male chauvinism in the feudal society.
关键词
男权意识
婚姻爱情观
《聊斋志异》
女性形象
文学评论
Strange Tales of a Lonely Studio'
the portrait of the lady
the view of marriage and love
male chauvinism
