7Claude Samuel,Musique et couleur: nouveaux entretiens, Paris: Belfond, 1986, translated by E. Thomas Glasow as Music and Color: Conversations with Claude Samuel, Portland: Amadeus Press, 2nd ed., 1994[10]. 被引量：1
9Messiaen, Olivier. Technique de mon langage musical. Paris: Leduc, 1944, 2 volumes; volume I translated by John Satterfield as The Technique of My Musical Language. Paris: Leduc, 1956. 被引量：1
10Messiaen, Olivier. Traitre de rythme, de couleur et d'ornithologie (tome Ⅲ). Paris: Leduc, 1996. 被引量：1
二级参考文献7
1Hill, Peter. ed. The Messiaen Companion.London: Faber and Faber Limited, 1994. 被引量：1
2Johnson, Robert Sherlaw. Messiaen. Berkerly: University of California Press, 1975. 被引量：1
4Peterson, Larry Wayne. Messiaen andRhythm: Theory and Practice. Chapel Hill: University of North Carolina, 1973. 被引量：1
5Simundza, Mirgana. "Messiaen's Rhythmical Organisation and Classical Indian Theory of Rhythm." Parts 1 and 2. International Review of the Aesthetics and Sociology of Music, 18/1 ( 1987),117-144. 被引量：1
6Simundza, Mirgana. "Messiaen's Rhythmical Organisation and Classical Indian Theory of Rhythm." Parts 1 and 2. International Review of the Aesthetics and Sociology of Music, 19/1 (1988),53-73. 被引量：1
7Youngblood, Joseph."Some Rhythmic Features in Messiaen' s Turangalila Symphony." Percussionist (Spring- Summer 1978), 117-120. 被引量：1
