摘要
《杀手》是海明威“求真”创作思想和“写活”创作目标的完美结合,也是其“冰山原理”的极致发挥。布局谋篇上,深藏的是作者的“不想说”——故事相关的背景;而表现手法上,隐匿的是作者的“不必说”——小说情节的描述,人物形象的刻画和作品主题的揭示。两种不同的省略因而凸现了“八分之一”显露画面的光鲜亮丽,加强了“八分之七”隐藏蕴涵的含蓄深刻。
The Killers combines Hemingway's creative idea of truthfulness and his creative pursuit of liveliness, and embod- ies the 'principle of the iceberg'. In the layout of the novel, the author throws out all that can be spared——the background of the story, while in the technique of expression, he cuts out what is regarded unnecessary——the description of the plot, the portrayal of the characters as well as the exposition of the theme. Thus bright pictures of the one-eighth and pregnant implication of the seven-eighths are strengthened because of these two kinds of deletions.
出处
《温州师范学院学报》
2004年第4期42-44,共3页
Journal of Wenzhou Teachers College(Philosophy and Social Science Edition)
基金
本论文属2003年浙江省教育厅科研基金项目"尼克系列短篇小说的主题意义及艺术风格"(浙 教高科[2003]195 号)。
关键词
海明威
冰山原理
《杀手》
省略
Hemingway
principle of the iceberg
The Killers
deletion
