摘要
文章在对《老子》、《庄子》所论"象"范畴描述的基础上,集中对《易传》中的"象"范畴加以分析。指出《易传》中"象"与其对应的物之间并没有必然的联系,主要是模拟象征天地万物变化的卦象,这在某种程度上具有审美意义,但还不是完整意义上的审美形象。因此《易传》中的"象"在由哲学范畴向美学范畴转化的中期到了重要作用。
The essay mainly analyses the term'Image'in the the Appendices by basing itself on the discussion of Lao Zi and Zhuang Zi.It's not direct that Image in the the Appendices is associated with all existing things in the Nature.It mainly imitates and symbolizes them as hexagram images.Though it's not an aesthetic image, it has aesthetic significance to some extent.So Image in the the Appendices plays an important role in its change from a philosophical term to an aesthetical term.
出处
《辽宁工程技术大学学报（社会科学版）》
2004年第2期194-195,共2页
Journal of Liaoning Technical University(Social Science Edition)
