摘要
警匪片一直是香港电影中经久不衰的重要类型,电影中男性话语占主导地位,女性话语处于弱势地位甚至缺失。本文以近十年几部较卖座的香港警匪电影为例,运用女性主义精神分析理论对影片中的女性形象进行分析,揭示男权文化对女性形象塑造的制约,并对香港警匪电影中女性边缘化的现象进行反思。
Gangster movie has always been an important and unfailing type in Hong Kong movies,in which male discourse occupies a dominant position,while female discourse is weak or even being missed. The article,taking several Hong Kong gangster movies that draw large audience in recent decade as examples,applies the feminist psychoanalytic theory to analyze the female images in them,revealing the constraints of male-dominated culture to the shaping of female images,and at the same time,it gives reflections on the marginalization of female in Hong Kong gangster movies.
出处
《长春大学学报》
2014年第9期1300-1303,共4页
Journal of Changchun University
