摘要
传统翻译观要求原文与译文在内容,风格以及形式上一一对等,忽视了译者在解读原作过程中的能动参与作用。而接受美学的翻译观则认为:在翻译过程中,译者首先是原文读者,然后才是译者,译者对原文的期待视野影响着译文的生成,不同的译者因期待视野的差异会生成不同的译文。本文拟从接受美学的视角来探讨诗歌翻译中一诗多译的现象。
The traditional translation theory emphasizes the equivalence between the source text and the target text,neglecting the participation of the translator and the target text readers.The Reception points out that the translator,as the reader of the source text,produces different versions of the same text due to their different horizons of expectation.The paper discusses the possible reasons of why there exist various versions of the same poem from the perspective of Reception.
基金
2009年浙江省高校优秀青年教师资助项目(GK090210008)
关键词
接受美学
读者期待视野
译者
Reception
reader's horizon of expectation
translator
