摘要
"嘻剧",不是用喜剧来讽刺和告别陈腐的事物,或者在喜剧的批判性中获得理解和把握社会发展与进步的快感,而是用嬉戏、傻乐和吊诡的露丑卖乖来掩饰自身生活处境的困顿不安。与喜剧对应"丑"不同,嘻剧对应的是"糗"。嘻剧的生产,乃是一种脆弱的生命经验的曲折表达。而相对于传统的喜剧来说,嘻剧对于现实实际问题的逃避和"虚假困境"的设局,造就了一种伪经验的生产趋势。
'Xiju',which could also be called giggling drama,doesn't suggest to mock or end those trite things.It doesn't mean understanding the pleasure of social developments from the comedy's critical reason perspective.Instead,it refers to covering the fatigue and instability of one's life by frolic,goofy-laughing and paradoxical ugliness and cleverness showing.Xiju relates to'awkwardness',and differs from the comedy which is connected to ugliness.Xiju's production expresses a kind of weak life experience indirectly.Compared to the traditional comedy,Xiju creates a pseudo-experience production by escaping the realistic problems and fake dilemmas.
出处
《天津师范大学学报（社会科学版）》
CSSCI
北大核心
2013年第6期35-41,80,共8页
Journal of Tianjin Normal University(Social Science)
基金
国家哲学社会科学基金一般项目(13BZW006)
国家社会科学基金重大招标项目(11&ZD022)
关键词
喜剧
嘻剧
糗
《泰囧》
贾平凹
comedy
Xiju
awkwardness
Lost in Thailand
Jia Pingwa
