摘要
陶潜是中国田园诗的重要开创者,其笔下多描写自然之景,体现了精神与自然的和谐统一。日本物哀文化同样也相对重视对景物的描写与感悟。两者间从形成根源和其思想本质都有着千丝万缕的联系。本文则试图从中比较简论陶潜山水田园诗中的自然之情与日本的物哀特色之间的联系与区别。
Tao Qian was an important pioneer of Chinese pastoral poetry, and he often describes the natural landscape, embodies the harmonious unity of spirit and nature. Japanese sorrow culture also gives importance on description and understanding of the scene. Both have all kinds of connections from the origin and its essence. This paper analyzes the contact and difference between the feeling of nature in Tao Qian’s pastoral poetry and the characteristics of Japanese sorrow.
出处
《佳木斯教育学院学报》
2013年第9期100-101,共2页
Journal of Jiamusi Education Institute
关键词
陶潜
田园诗
自然之情
日式物哀
Tao Qian
pastoral poetry
the feeling of nature
Japanese sorrow
