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妙心识曲 慧眼撷英──王毅《元散曲艺术论》评介

23||COMMENTS ON WANG YI'S THE INTRODUCTION OF THE ART OF VERSE IN THE YUAN DYNASTY WITH TONE PATTENS MODELED ON FOLK MUSIC
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摘要 王毅《元散曲艺术论》是当前元代散曲研究又一可喜成果.这部专著从微观的角度论散曲艺术,以“深细”有别于他著,且呈现出从散点走向整合的研究趋向.本文从独到的学术见解、多样的研究方法和鲜明的时空定位几个方面对王毅这部新著作了评述. Wang Yi's The Introduction of the Art of Verse in the Yuan Dynasty with Tone Patterns Modeled on Folk Music is a great achievement made in the present research into the art of verse in the Yuan Dynasty with tone patterns modeled on folk music. The book provides some comments from the microcosmic angle. The profoundness and detail make it quite different from other books. Moreover, the research tendency from dispersion to integration has emerged in this book. This paper gives some comments from such aspects as unique academic viewpoint, various research methods and distinctive position of time and space.
作者 张如安
出处 《宁波大学学报(人文科学版)》 1998年第3期20-23,共4页 Journal of Ningbo University:Liberal Arts Edition
关键词 整合 艺术规律 模糊艺术 时空定位 integration the law of art the law of fuzziness position of time and space
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