摘要
本篇运用小说叙事学理论对茅盾《幻灭》文本的叙述视角进行了分析.《幻灭》是茅盾先生反映大革命前后部分青年知识分子面临革命实际的种种幻想和破灭心态的中篇小说处女作.其文本涉及了全知、自视、旁视和转视等叙述角度.全知视角是文本的主叙述角度,它时而深入人物内心,时而抽身事外;要么走近读者,要么保持距离,与其他叙述视角交错,使文本叙述生动活泼、多姿多彩,对读者形成审美情感判断有重要的价值.
This article is to analyze the narrative angles of Mao Dun's'Dashed Hope'. 'Dashed Hope'is the maiden work of Mao Dun's long-short novel,which presents the imagination and the state of mindof young intellectuals facing the practical revolution before and after the Great Revolution in China (1924-1927). And the version is concerned with the narrative angles of omniscient self-observation,spectationand turning observation. This article is mainly related to the omniscient angle,which goes inside and getsaway from the affairs in turn;or it sometimes approaches to the readers and keep away from the readersonce in a while. Mixing with the other narrative angles,the version is lively and colorful,and helpful forreaders to form the aesthetic judgment.
出处
《辽东学院学报（自然科学版）》
CAS
1999年第1期44-45,共2页
Journal of Eastern Liaoning University:Natural Science Edition
关键词
文本
全知
叙述视角
version,omniscient and narrative angles
