摘要
本文旨在针对中国当代陶艺批评的现状,描述其变化过程和从中形成的批评状态以及文化选择。全文从当代陶艺批评的三种方式展开:一是过于倾向观念艺术的建构;二是对传统争端的解读处于边缘性的话语;三是利用历史理论和哲学术语来展开的意识形态运作。认为真正展现当代陶艺批评视角应从本土经验出发,在这基础上借用西方后结构主义,语用学等知识,构造出必要的理论背景,并以此表示和传统陶瓷批评不同的价值立场。
this article talks about the present situation, the changing status of criticism and the cultural choice of Today's Chinese Ceramics. The article unfolds from the three aspects of Today's ceramic criticism: a. much inclination to conceptual art; b. marginal language toward the traditional disputes; and c. using historical theories and philosophical terminologies for ideological maneuverability. It takes the view that the true critical angle is rooted in the local experiences first, and then borrow from Western post structuralism and knowledge of pragmatics to form its necessary theoretical background and the different value system from the traditional pottery and porcelain criticism.
出处
《湖北美术学院学报》
2002年第4期55-56,共2页
Hubei Institute of fine Arts Journal
关键词
中国当代陶艺
批评话语
观念艺术
传统陶瓷
视觉图式
Today's Chinese ceramics, critic language, conceptual art, traditional pottery and porcelain, and visual diagram.
