摘要
现代接受美学理论认为观众是电视剧的归宿和最终决定因素,电视剧创作与接受即为编导与观众的视野融合。观众的期待视野制约了一定的创作水平,而观众又必须在与作品的同化顺应过程中获具视野提升。观实观众的审美期待视野通过隐含观众诱导编创,规范了编导写什么和怎么写,并转化为内在构成,潜化为艺术思维和艺术传达。召唤结构是呼请观众参与创作的艺术谋略。
Modern receptive aestheticism believes that the audience is the decisive factor of TV series. Therefore the creation of TV series and their being accepted are a combination of ideas and visions of editors, directors and audiences. To a certain extent, the audience's expectation sets limits to the creation; yet the former, on the other hand, is again elevated in taste and visions through the works. The editors and directors get their inspiration from the aesthetic expectation of the audience, who is also a participant in the artistic creation.
出处
《戏剧艺术》
CSSCI
北大核心
1995年第1期29-38,共10页
Theatre Arts
