摘要
目前，学术界一般倾向于燕乐包含清乐的看法。本文对各类乐书的记载进行比较查证，认为燕乐和清乐的概念发展有其阶段性，清乐在初盛唐是独立于燕乐之外的一个乐种，其性质近雅，与燕乐的近俗构成对立关系。只有辨明清乐的从属关系，才能较为准确地区分燕乐歌辞和汉魏六朝古乐府诗的界限。
n order to distinguish accurately the Yan Music poems and the Yue Fu Music poems ofthe Han and Wei Dynasties,the most important thing is to clarify the category to which theQing Music belongs.Currently,most scholars believe that the Qing Music falls into the cat-egory of the Yan Music.However,after checking carefully various kinds of ancient books onmusic,the author of this essay finds that the development of the concept of the Yari Musicand Qing Music had different stages,During the first half of the Tang Dynasty,Qing Musicwas a form of music in itself,quite independent of the Yan music.The nature of the QingMusic was serious,offering a contrast to the Yan Music which was close to popular music atthe time.
出处
《北京大学学报（哲学社会科学版）》
CSSCI
北大核心
1994年第4期94-97,128,共5页
Journal of Peking University(Philosophy and Social Sciences)
