摘要
日本在19世纪60年代末开始的明治维新,拉开了资产阶级国家政权建设的序幕。一个十分“奇特”的现象不能不引起人们的注目:资产阶级的胜利非但没有“理所当然”地把昔日的皇帝送上断头台,反而把他拥上了现代政治舞台的中心;明明是推翻德川幕府封建统治,建立资产阶级政权的“维新”运动,却偏偏打出“王政复古”的旗号。这种“新”与“古”的统一,“尊皇”与“倒幕”的并行,清楚地表明,在日本现代国家政权的诞生过程中,以传统文化为背景的尊皇思想起了极为重要的作用。这种在日本民族文化的历史发展过程中积淀下来的、有着复杂、深刻的文化内涵的尊皇思想,究竟起了哪些作用?怎样、以及为什么会起到这些作用?这就是本文所要探讨的课题。
The idea of sonno (Revere the Emperor) originates from the Japanesetraditional belief of deites. In the historical process of Japan's Meiji Ishinwhich established a bourgeois regime, the idea of sonno played a kind ofpromotive role. First, in the struggle for overthrowing the feudal rule ofTokugawa Bakufu, sonno becam the flag of calling different Political groupsto form the widest united front of anti-Bakufu. Secondly, in the process ofestablishing the Meiji regime, sonno became not only the weapon of strikingblows both at the right wing 'back to the ancients' group and the left wingradicals, but also the mark of thoosing a unique Japanese road of advancinggradually.
出处
《世界历史》
CSSCI
北大核心
1991年第1期63-71,53-127,共11页
World History
