摘要
本世纪以来,语言研究的哲学思潮影响到了文学,汉特克(Peter Handke,1942-)创作《卡斯帕尔》(“Kaspar”)是较为典型的一例。《卡斯帕尔》取材于历史上的有关传说,主人公是一个语言社会功能试验的对象,台词中一些耐人寻味的话可在维特根斯坦的《逻辑哲学论》里找到根据。沃特克与维特根斯坦的共同点是对语言的怀疑,但维特根斯坦是从认识论的角度指出语言的不可靠性,认为哲学用语言进行逻辑分析,是无法说明现实的;而汉特克与巴赫曼等作家一样,揭示了语言对人的影响和制约。
The radio play 'Kaspar' by Peter Handke takes its subject from stories about Kaspar, but the hero becomes an experimental abstraction, on whom the function of speech and speaking istried out, The many strange sentences that appear in the text remind one of some basic conceptsin Wittgenstein's Tractatus logico-philosophicus. In the author's view, both Wittgenstein andHandke are skeptical about everyday speech, though Wittgenstein goes further, by outlining theconditions for a perfect speech in a logical sense. The author argues that Handke did not havethe intention to interpret Wittgenstein's study of speech, instead he wanted a rebellion against themanipulation through speech. The play demonstrates the acquired characteristics and the drillingof a man through speech, as can also be found in the works of Ingeborg Bachmann and otherAustrian authors.
出处
《外语教学与研究》
1987年第3期12-16,79,共6页
Foreign Language Teaching and Research
