摘要
一、前言馀姚上林湖是越窑最集中的地区。所谓秘色瓷,都产在上林湖一带。从1934年发见後,不久就在杭州湖滨市场上出现瓷片的买卖。由於它的釉色光泽,形制多样精緻,花纹图案繁美,曾引起了当时古董商们一时的活动,此後不太有人提起它。解放後,文化部门就非常注意这一古老的瓷都。1957年上林湖附近的农民在一个山坡上取土时,挖出一件唐大中四年的瓷罂墓志铭以後,紧接兴修上林湖水库,引起了有关部门更加重视。在1957年11月间,我会派员赴上林湖水库范围作了数次实地调查。
The vicinity of the Shang Lin Lake has long been known as a great center of Yuch Yaoware. In November of 1957, spurred by an irrigation project of the area, the Commission forthe Preservation of Ancient Monuments, Chekiang Province conducted a preliminary survey ofthe green porcelain kiln sites in the vicinity of the Shang Lin Lake. It was found that thekiln sites, over twenty in number, spread over a length of fifteen kilometers along the shores of the Shang Lin, Shang Ao and Pai Yang Lakes as well as on the slopes of nearby hills. Thedeposits at all these sites are extremely rich, sometimes attaining a thickness of 1--2 meters. Theirdate range from Chin through Tang and Five Dynasties to Sung. In all, more than a thousand specimens were collected by the investigators themselves aswell as through donations by local peasants. The forms of the porcelain include 'ying' (罂),circular box with cover, dish, water dropper, birdhead-shaped handle, spoon, bowl, spitton, cup-stand, jar, bottle, 'shui yu' (small water container), 'chung' (盅), bell, bowl with a spout,vessd for burning perfume etc., in addition to some potter's implements. Most of the porcelainare wheel-made, with only a few pieces and the individual parts of some that had to be hand-made. The glaze was applied all over the body and has a very high lustre. The colors of theglaze can be divided into three main groups: eel?green, cel-yellow and bluish-green. Nearlythirty percent of the porcelain are decorated in either one or several of the following manners:stamped design, incised design, open work and designs which were incised with a pointed instru-ment. Of these the last three types of decoration are particularly common here. The decorativemotifs on these porcelain are derived from a wealth of realistic subjects as the crane, parrot,mandarin ducks, butterfly, dragon, hibiscus, peony, begonia and human figures. Indecd the richvariety of these exquisite designs bears an eloquent testimony to the high level of the Chinesedecorative art at the time. Among t
出处
《考古学报》
1959年第3期107-120,161-168,共22页
Acta Archaeologica Sinica
