摘要
造像碑的涅经变李静杰涅般木经变是隋唐时期出现和流行的佛教艺术题材。它以涅般木经典为主要表现对象，将诸多情节的佛涅般木传说，用单幅或多幅连续构图形式描绘出来，旨在宣扬常、乐、我、净的思想。与南北朝时期作为佛本行故事组成部分的涅般木情节以及从本行情节中...
In the Banpo Temple of Linyi a tablet named “the one of the Figure of Buddha’s Nirvana of Dayun Temple” was erected in the 3rd year of Tianshou of Wu Zetian’s Zhou Dynasty (692 A.D.). Another tablet which carried an inscription entitled “The Construction of the Tablet of Amitabha by Wang Shandeng” was erected in the twenty second year (734 A.D.)of Kaiyuan of Tang Dynasty. The contents of the sūtra stories recorded on the two tablets are different from that in the murals of the Dunhuang Grottoes .This paper,with the help of the historical data and through analysing the connotations of Nirvana sūtra stories, verifies relations between the tablet of the 3rd year of Tianshou and Wu Zetian’s dynastic changes.
出处
《敦煌研究》
CSSCI
北大核心
1997年第1期71-82,188,共13页
Dunhuang Research
