摘要
"八仙戏"的最早萌芽可追溯至先秦时期的宗教祭祀仪式,经过了宋金元明几代的戏剧化演变,在明中叶以后戏剧内容缩长为短,到了明末形成正本戏之外的"饶头"演出,最终在乾隆年间形成了一种综合了天官赐福、蟠桃庆寿、魁星点斗等系列表演形式的吉庆短剧。当下温州民间演出的"八仙戏"仍具备传统的某些特征,而从活态戏曲出发逆向追寻以往传承的脉络来探究"八仙戏"的萌生与发展轨迹,是对中国古代戏曲史有益的补充。
'Eight Immortals Play' can be traced back to religious fete ceremony of the early Qin period,after several generations of dramatic Song,Jin,Yuan and Ming dynasties.In Mid-Ming period the contents of plays are cut short and at the end of Ming Dynasty it forms the 'Rao Tou' performance outside the real play.Eventually a kind of Jiqing short play is formed with 'Tianguan Bless,Pantao Long Life,Kuixing Dian Dou' and other performances.The 'Eight Immortals Play' in Wenzhou still has traditional features so that it can explore the initiation and development track from the living condition opera and supplement Chinese ancient opera history.
出处
《吉林艺术学院学报》
2012年第2期2-5,共4页
Journal of Jilin University of Arts
关键词
八仙戏
历史演变
活态戏曲
温州
'Eight Immortals play'
historical evolution
living condition opera
Wenzhou
