摘要
中国传统绘画有其独特的审美,从早期对形的追求到魏晋时期"以形写神"观点的提出,从隋唐五代时期"形神兼备"思想的盛行到宋元后文人画中"得意忘形"理论的发展,使传统绘画最终确定了以表达自我情感为主流的审美情趣。本文通过历史上各个时期对"形""神"关系的不同认识,阐述中国传统绘画所具有的独特审美。
The traditional Chinese painting has its own unique aesthetic,from the early pursuing to put forward point in the period of the Wei and Jin,from ' shape and spirit 'in Tang Dynasty and Five Dynasties to the development of theory of 'get the meaning and forget the shape ',after the Song and Yuan literati painting,making traditional painting finalized the mainstream aesthetics to express own emotions.Through various understanding in every periods in history,describs the unique aesthetic in the traditional Chinese painting.
出处
《佳木斯教育学院学报》
2011年第3期103-103,105,共2页
Journal of Jiamusi Education Institute
关键词
形神
中国传统绘画
审美
shape and spirit
traditional Chinese painting
aesthetic
