摘要
弗吉尼亚·伍尔夫富有创意的幻想小说《奥兰多》(1928)一度引起后世女权主义者的重视。在身兼两性的主人公奥兰多身上,寄托了伍尔夫对于性别的思考:在那些比较敏感的艺术型人物身上,男性气质和女性气质交织在一起,两性的相融才是创造出优秀作品的重要原因。本文通过奥兰多性别转变的象征意义、转变后在两性间的摇摆以及转变前后的异同三个角度,剖析伍尔夫是如何通过奥兰多的心理嬗变来形象地表现她的双性共体思想的。
Virginia Woolf's fantasy fiction Orlando(1928)is valued much by later feminists.On the androgynous figure—Orlando,Woolf places her thinking about sexes:everyone has some temperament belonging to the opposite sex.Only when the harmony and understanding between two sexes is achieved,can good works be accomplished.This thesis intends to analyze how Woolf displays her androgynous idea,focusing on three aspects—the symbolic significance of Orlando's sex-changing,her vacillation between sexes,and what's changed and unchanged in Orlando.
出处
《长春大学学报》
2004年第3期52-55,共4页
Journal of Changchun University
