摘要
蔡国强的创作以其空间达到完美的平衡 ,通过让实体与时间性的函构疏离来质疑艺术的正史、功能性、以及艺术的史诗传统。以作品的多义性、多重性来寻找世界深层的混乱 ,“混乱”背后有“秩序” ,“混乱”就不只是一种风格 ,其已成为一种美学。
Cai guoqiang's creations have quested the deep-seated anarchy in the world by the perfect balance of their space,by oppugning the official history,function and epode system of art,by the analyses and construction and alienation of entelechy and timeliness,and by the multivalence and multiplicity of his opus.When there is an order hidden in,the anarchy is not only a kind of style but also a kind of esthetics.
出处
《福建教育学院学报》
2003年第7期43-45,共3页
Journal of Fujian Institute of Education
关键词
行为艺术
现时性装置
解构
时空再创造
behavior art
realistic
apparatus
analyses and construction
recreation of space-time
